Temple of Osiris at Abydos Egypt: These glyphs were discovered in 1848. They are over 3,000 years old and contain images of what appear to be high tech aircraft —a helicopter, a submarine, a glider, and another unknown type of aircraft. They were carved for Seti I (a pharaoh who died in 1279 BC).
Pharaohs frequently just took older pharaohs’ temples and replastered their own stuff over them. A later pharaoh named Ramses II had plastered over these original Seti hieroglyphs but by the 1800’s that plaster had fallen off, revealing the original hieroglyphs which appear to be depictions of aircraft.
Some people say these aircraft images are the result of erosion which doesn’t make much sense the images are quite crisp and clear. Others say it’s a result of Ramses’s hieroglyphs overlapping the older Seti hieroglyphs to just randomly form the images of these aircraft, which again is irrational. This panel is whole, undamaged, and the images are complete and clear.
Incan Golden Airplanes
Incan Golden Airplanes: These are 1000 year old Inca aircraft-like artifacts sent by the Columbian government for further analysis in the USA. Most archeologists at the time (1950’s) said they were “stylized ceremonial birds”.
But in the 1970’s, a zoologist Ivan T Sanderson conducted new analysis on the objects and concluded they were models of some kind of ancient high speed aircraft. Dr. Arthur Poyslee of the Aeronautical Institute of New York concurred. Nobody was too interested though. Until…
In the late 90’s two German aeronautical engineers Algund Eenboom and Peter Belting decided to build propeller powered replicas of the artifacts. They constructed exact replicas increased in size by a factor of 16 and equipped them with engines and radio control systems. In 1997 they performed a flight test at the Ancient Astronauts Society World Conference in Orlando Florida and it was a stunning success. The two models were not only able to lift off successfully, but also performed maneuvers even with their engines switched off. The Inca objects were proven to be actual replicas of 100% functional aircrafts.
Nazca Lines of Peru
Here is an aerial view of the “Owlman” aka “Astronaut”, a geoglyph of the Nazca Lines, which are located in the Nazca Desert in southern Peru. The geoglyphs of this UNESCO World Heritage Site (since 1994) are spread over a 80 km (50 mi) plateau between the towns of Nazca and Palpa and are, according to some studies, between 500 B.C. and 500 A.D. old.
It’s theorized by some that local inhabitants carved these artworks (which are only completely visible from the sky) in order to communicate to aliens how much they valued their visitations and to encourage more.
Indigenous Australian Alien Rock Art
Alien Rock Art: This is 1000 year old rock art made by Indigenous peoples of Australia. The figures are called Wandjina. In the culture of the Worora, Ngarinyin and Wunumbul tribes, the Wandjina are the supreme spirit beings and creators of the land and people. The Wandjina were “sky-beings” or “spirits from the clouds” who came down from the Milky Way during Dreamtime and created the Earth and all its inhabitants. (source)
The land of the Wandjina is a vast area of about 200,000 square kilometres of lands, waters, sea and islands in north-western Australia with continuous culture dating back at least 60,000 years but probably much older. Here, traditional Aboriginal law and culture are still active and alive. The Worora, Ngarinyin and Wunumbul people are the custodians of some of the oldest known figurative art, which is scattered throughout this area.
The figures of the Wandjinas are depicted as having large heads, enormous black eyes, are often surrounded by what could signify halo-like energy fields, or even some type of helmet.
For comparison with the Wandjina figures, here’s a modern drawing of an alien grey.
Jesus and Alien Visitations
The Baptism of Christ, By Aert De Gelder. 1710.
“Madonna with Saint Giovannino”, often attributed to artist Domenico Ghirlandaio, 15th Century. It is on display at the Palazzo Vecchio in Florence, Italy.
In this painting, Madonna is focused on the two infants instead of what appears to be a flying saucer hovering behind her. In the background, a guy and his dog can be seen staring up at the UFO.